Fujifilm GFX 50S II Recensione | 108 Dati a confronto

The Fujifilm GFX 50S II, reviewed by DPReview, is presented as an affordable, stabilized entry point into medium-format photography, utilizing a 51.4MP sensor in a robust, IBIS-equipped body. Its core strengths include exceptional image quality, high dynamic range, and improved handling, making it a powerful tool for studio and landscape photography. However, the review highlights significant drawbacks, including a slow contrast-detect-only autofocus system that struggles with action and a maximum 3 fps burst rate. Furthermore, the camera lacks 4K video capability, limiting its use for modern hybrid shooters.

The Fujifilm GFX50S II is a budget-friendly entry point into medium-format photography, featuring a 50.4-megapixel sensor, effective in-body image stabilization (IBIS), and a robust, weather-sealed design. It offers exceptional, high-resolution image quality suitable for studio and landscape work, enhanced by a 200MP multi-shot mode and versatile in-camera raw processing. However, the camera is limited by a slow, contrast-detect autofocus system that frequently hunts and a maximum 3fps continuous shooting speed, making it unsuitable for fast-paced action. Additionally, it lacks 4K video capabilities, offering only 1080p recording, and relies on a system of large, expensive lenses.

The Fujifilm GFX 50S II is a 51.4MP medium format mirrorless camera designed for methodical photographers who prioritize ultimate image quality and dynamic range over raw speed. Built around the same Bayer CMOS sensor as its predecessor but upgraded with the ergonomic body of the GFX 100S, it brings the distinct medium format "look" to a more accessible price point. Key highlights include an impressive 6.5-stop In-Body Image Stabilization (IBIS) system, dual UHS-II SD card slots, and a customizable 1.8-inch top LCD screen. The camera also introduces a 200MP Pixel Shift Multi-Shot mode and features 19 Film Simulation presets, including Nostalgic Neg, making it an exceptional tool for studio, portrait, landscape, and still-life photography. However, the review highlights several compromises made to keep the system affordable. The main pros of the GFX 50S II are its impeccable image quality with extensive highlight and shadow recovery, its highly ergonomic and customizable body, and its relatively affordable entry point into medium format photography. On the downside, the cons include a sluggish contrast-detect autofocus system compared to modern full-frame mirrorless alternatives, a slow...

The Fujifilm GFX 50S II is an affordable, entry-level, medium-format camera that repackages a 51.4-megapixel CMOS sensor into the robust, highly ergonomic body of the GFX 100S. It is highly praised for its excellent build quality, deep grip, customizable button layouts, and the vital addition of an in-body image stabilization (IBIS) system providing up to 6.5 stops of stabilization. The camera produces an organic, rich, film-like image quality with exceptional dynamic range that landscape and architecture photographers will appreciate, further enhanced by the inclusion of the "Nostalgic Neg." film simulation. Additionally, when purchased as a bundle with the lightweight Fujinon GF 35-70mm f/4.5-5.6 WR lens, it offers an exceptionally high-value starter kit for those transitioning into larger-than-full-frame photography. However, the camera has notable limitations, particularly regarding speed and versatility. The primary drawback is its 117-point contrast-detection autofocus system, which struggles significantly in dim lighting conditions and lacks tracking capabilities, making it a poor choice for action, sports, or wildlife photography. Its video capabilities are similarly subpar, topping out at a basic 1080p resolution rather than modern 4K standards. Other minor...

The Fujifilm GFX 50S II is a compact, DSLR-styled medium format camera built on the same weather-resistant magnesium alloy chassis as the GFX 100S, weighing a relatively lightweight 900g. It features a 51.4-megapixel conventional sensor (not back-side illuminated) and stands out for its price point as Fujifilm's most affordable medium format body at launch ($6,499 AUD). Key advantages highlighted in the review include its exceptional image quality with incredible sharpness, extensive dynamic range for post-processing flexibility, and impressive low-light performance up to ISO 3200. Additionally, it features an upgraded 5-axis in-body image stabilisation (IBIS) system offering 6.5 stops of stabilization, dual SD card slots, USB-C charging, and highly ergonomic physical handling. However, the camera falls short in performance and modern feature standards for its price bracket. The autofocus system relies on contrast-detection rather than the distance-aware phase-detection found in the GFX 100S, resulting in slower performance and underwhelming eye-tracking capabilities that struggle in continuous shooting mode. This drawback makes it less suitable for fast-paced environments like weddings or documentary work. Furthermore, its video capabilities remain entirely unchanged from its five-year-old...

In his review on DON CRAIG photography, photographer Don Craig strongly praises the Fujifilm GFX50S II, concluding that upgrading from the original GFX50S was highly worthwhile for his art and portrait photography workflow. The standout feature of this model is its excellent In-Body Image Stabilization (IBIS), which allowed him to successfully shoot sharp, handheld commercial images at slow shutter speeds like 1/60s using heavy lenses. Furthermore, he highlights the incredible image quality—which remains identical to its predecessor—alongside impressive high ISO performance that produces virtually noise-free files at ISO 3200 and highly usable results at ISO 6400. He also finds the redesigned, smaller body much nicer to handle, and notes that the autofocus tracking, face detection, and back-button focusing are major speed and accuracy improvements over the original 50S model. On the downside, Craig points out that the camera lacks phase detection autofocus, making it a slower choice compared to the GFX100S, which features a newer sensor and much faster autofocus capabilities. He also mentions a slight learning curve with the physical ergonomics, noting that he initially missed the original dedicated...

The Fujifilm GFX50S II is a budget-friendly medium format camera that repurposes the GFX100S body, utilizing its advanced 5-axis In-Body Image Stabilization (IBIS) system with 6.5 stops of correction, alongside an efficient battery layout and a fully weather-sealed professional build,. While it carries over the older 51.4MP contrast-detect sensor from previous generations, its performance is enhanced by the newer X Processor 4, which boosts autofocus accuracy and speed while refining face and eye detection,. The primary advantages of this system lie in its large sensor area, which is 1.7 times greater than a full-frame sensor. This larger footprint yields cleaner images at high ISOs, an expanded dynamic range, and exceptional image sharpness that allows for handheld exposures as slow as half a second,. However, the camera suffers from notable ergonomic and design drawbacks. The reviewer highly criticizes the removal of the traditional physical D-Pad and multiple dedicated dials, which have been replaced by a less intuitive, laggy virtual screen interface and a rigid PSAM layout,. Furthermore, the updated multi-directional focus joystick has an uncomfortable, sandpaper-like texture and tends to get...

summary of the Fujifilm GFX 50S II review: The Fujifilm GFX 50S II is a digital large-format mirrorless camera designed for professionals and enthusiasts who want high-quality images at a semi-affordable price point. A major standout feature is its highly reliable photography in-body image stabilization (IBIS) system, which delivers up to 6.5 stops of stabilization for secure handheld shooting even at low shutter speeds. It shares the identical, well-balanced footprint of the GFX 100S, utilizing a traditional three-way tilting back LCD and a top-plate settings display that makes studio work and low-angle shooting highly intuitive. Photographers will also benefit from its 51.4-megapixel sensor that produces robust, detailed 14-bit RAW files, dual UHS-II SD card slots, a battery life yielding over 400 shots per charge, and a library of 19 built-in Film Simulation modes.

The Photo Review of the Fujifilm GFX 50S Mark II highlights the camera as a competitively priced, 50.1-megapixel, medium-format option offering outstanding image quality and a refined, built-in viewfinder design. It features enhanced, robust buffer memory and delivers clean, detailed images at low-to-mid sensitivities, making it an excellent choice for stills photographers. Key limitations, however, include severely restricted, entry-level 1080p video recording capabilities and a slow 3 frames-per-second maximum continuous shooting speed. Furthermore, default JPEG images tend to exhibit subdued color saturation, and the device is intended primarily for specialized photography rather than fast-paced, hybrid action.

The Fujifilm GFX 50S II is highlighted as an affordable entry point into medium-format photography, utilising a 51-megapixel sensor packed into a professional, robust body identical to the GFX 100S. The reviewer praises its exceptional image quality, noting smooth bokeh fall-off, rich dynamic range, and vast cropping flexibility. Key physical advantages include a deep, comfortable handgrip, an satisfyingly quiet mechanical shutter, a preferred 3-way tilting LCD screen, and a powerful In-Body Image Stabilization (IBIS) system that achieves a 1-second handheld shot. Performance is also vastly improved over the original 50S due to the X-Processor 4, delivering unexpectedly fast autofocus speeds with standard lenses. However, the camera does feature notable trade-offs to maintain its low price point, such as relying entirely on an older contrast-detection autofocus system while lacking modern phase-detection tech. Autofocus slowdowns and hunting also become noticeable when pairing the body with specific lenses that lack linear motors, like the GF 80mm. Ergonomically, the reviewer dislikes the omission of Fujifilm's signature retro physical dials—which are replaced by a top-panel status LCD—and critiques the exposure compensation interface for requiring a...

The Fujifilm GFX50s II is an evolution of its predecessor, sharing the same 50-megapixel medium format sensor but repackaged into a redesigned body with the same physical dimensions as the GFX100s. It is aimed primarily at photographers upgrading from full-frame or APS-C systems who favor a slower, more deliberate workflow for static subjects like portraits and landscapes. The camera's standout advantages include the highly effective In-Body Image Stabilisation (IBIS), a significantly quieter and smoother shutter, an improved rubber grip, a locking viewfinder dioptre dial, and a smaller, higher-capacity battery. Additionally, its body design allows the use of a rigid L-plate. However, the reviewer notes several significant regressions, such as the loss of the dedicated ISO dial and D-pad, the absence of a removable or tilting viewfinder, a spikey and awkward joystick, and the exclusion of a standalone battery charger. The GF 35-70mm kit lens is highlighted as an ultra-compact, lightweight, and highly affordable "mini marvel" that provides excellent sharpness for a 50MP sensor, making it a great backup or travel option. Its primary drawbacks are the lack of an aperture...

The Fujifilm GFX 50S II is a 51.4MP medium-format camera featuring a redesigned, ergonomic body with a traditional PSAM dial, aimed at simplifying operation for photographers transitioning from DSLRs. The review praises its secure handgrip, robust in-body image stabilization (IBIS), and superior image quality, which provides excellent dynamic range and color reproduction. Key limitations highlighted include a reliance on contrast-detect autofocus, which can hunt, and a slow continuous shooting rate of 3fps, making it less suitable for action photography. Additionally, the camera is capped at 1080p video recording, and the lack of 4K may be a drawback for some users.

The Fujifilm GFX50S IIGo to product viewer dialogue for this item. is presented as an affordable, accessible entry point into medium-format photography, featuring the ergonomic, weather-sealed body of the GFX100S and a 51.4MP sensor offering exceptional dynamic range and high-ISO performance. A significant highlight is the highly effective 6.5-stop In-Body Image Stabilization (IBIS), which improves handheld shooting stability. However, the review notes a dated contrast-detect autofocus system that lacks strong tracking capabilities, along with a slow 3-frames-per-second continuous shooting speed. Furthermore, the camera suffers from sub-par video capabilities, limited to 1080p, which compromises its versatility.

The Fujifilm GFX 50S II is a 51.4-megapixel medium format mirrorless camera built into a modernized, full-frame-sized body design shared with the GFX 100S. It provides excellent, clean image quality with a wide dynamic range, high-performing out-of-camera JPEGs, and up to 6.5 stops of In-Body Image Stabilization (IBIS). Compared to its predecessor, the camera drastically improves ergonomics by introducing robust command dials, removing the bulky extruded back, and adding a large top LCD panel alongside a dual-tilting rear touchscreen. Furthermore, the inclusion of the X-Processor 4 introduces upgraded software capabilities such as pixel-shift high-resolution mode (204MP), focus stacking, and new film simulations like Nostalgic Neg. However, the camera is heavily limited by its older contrast-detection autofocus sensor, which makes autofocus tracking and Eye/Face-AF feel slow and unresponsive compared to modern full-frame peers. Notable cons include the complete absence of Eye/Face-AF in AF-S mode, a sluggish burst rate of only 3 frames per second, and a restrictive 1/125s flash synchronization speed. Physically, the AF-ON button is small and poorly positioned, while its video functions remain rudimentary, capping resolution at 1080p at...