Fujifilm XF 16 55mm F 2 8 R LM WR II Recensione | 54 Dati a confronto

The Fujifilm XF 16-55mm f/2.8 R LM WR II standard zoom lens is a highly impressive, top-tier "red badge" upgrade designed specifically to match the resolving power of Fujifilm’s 40-megapixel sensors. Releasing nine years after the original model, this Mark II version slashes weight and bulk dramatically, measuring a slender 78 x 95mm and weighing only 410g—making it roughly two-thirds the weight of its predecessor. Optically, it incorporates a brand-new design featuring three ED elements, one Super ED element, and four aspherical elements. Performance testing confirms excellent center-sharpness across the entire zoom range, even at f/2.8, along with superior edge-sharpness at wider focal lengths and smooth bokeh rendering. Furthermore, the robust, weather-sealed barrel introduces a highly anticipated, flexible click/de-click aperture ring designed for seamless hybrid stills and video shooting. Despite these notable upgrades, the lens does carry a few distinct drawbacks. Its primary downsides include a steep price point of $1,199, a complete lack of built-in optical image stabilization, and an increased reliance on automatic, in-camera software distortion corrections. Lab results indicate that uncorrected native files display very heavy barrel...

The Fujinon XF 16-55mm F2.8 R LM WR II is a highly successful and drastically re-engineered update to its decade-old predecessor, explicitly optimized to handle demanding 40-megapixel sensors like the one in the Fujifilm X-H2. The most striking upgrade is the massive reduction in physical footprint; the lens is slimmer, shorter, and drops 37% of its weight down to a highly portable 410 grams. Key architectural improvements include an upgraded 11-blade aperture diaphragm for smoother bokeh, a highly reactive linear autofocus motor that delivers near-silent performance, and enhanced close-up capabilities boasting a 0.21x magnification. Crucially for videographers, this model marks the first time Fuji has integrated a declick option for the aperture ring, allowing for seamless, smooth exposure racking during video capture. Optically, the lens behaves like a series of prime lenses, serving up consistently exceptional sharpness, elite contrast, and pristine control over both lateral and longitudinal chromatic aberrations across the entire focal range. However, shedding so much bulk forced engineers into a few major compromises. The lens suffers from massive heavy vignette on both ends, alongside strong barrel distortion...

📸 Fujifilm XF 16-55mm F2.8 Mark II Review Summary The Fujifilm Fujinon XF 16-55mm F2.8 R LM WR II ($1,199.95) is a premium, mid-sized standard zoom lens that offers a significant redesign over its decade-old predecessor. It is notably smaller and lighter at 14.5 ounces, and it upgrades its durability with internal weather seals and an anti-smudge fluorine front coating. Equipped with linear motors, the lens delivers immediate and highly responsive autofocus, alongside an improved close-focus distance of 12 inches across its entire zoom range. Optically, it pairs excellently with high-resolution 40MP sensors, showing outstanding sharpness from f/2.8 to f/8 at wide angles and mid-range focal lengths, though resolution drops slightly at the 55mm telephoto end when shot wide open. For videographers, the aperture ring has been upgraded to support smooth, silent operation. The primary downside of this pro-grade lens is the complete lack of optical image stabilization, meaning users must rely entirely on their camera body's stabilization system. Additionally, the manual focus ring is noted to be quite sensitive and touchy during precise adjustments. While it effectively controls flare...

The Fujinon XF16–55mm F2.8 R LM WR II is a professional-grade, lighter-weight zoom that improves on the original with a shorter 90-degree zoom throw and a refined aperture ring featuring an auto-lock switch and de-click mechanism for video. Its main pros include improved handling and a significant weight advantage over full-frame alternatives, allowing for a lighter overall APS-C kit. Medium · Cons identified in the review include inconsistent zoom ring resistance, which stiffens toward the 55mm end. Furthermore, the lens exhibits significant uncorrected barrel distortion at 16mm, pincushion distortion at 55mm, and heavy vignetting at f/2.8, relying heavily on software corrections.

The Fujifilm XF 16-55mm f/2.8 R LM WR II is an exceptional standard zoom lens that introduces major physical updates over its predecessor, making it the best zoom lens the reviewer has tested for the Fujifilm X-Series system. Released in late 2024 for $1,199.00, this second-generation lens is physically optimized to be much smaller and significantly lighter, weighing just 14.5 oz (410 g)—which is only 63% of the bulkier original version. The reviewer tested it extensively in Vancouver during a demanding outdoor construction shoot in heavy rain and later during a summer weekend, noting that its robust weather sealing and versatile constant f/2.8 aperture made it a lifesaver that outshone various prime lenses on hand. It delivers outstanding image quality with vibrant colors, excellent presence, and a quiet, rapid linear autofocus motor, though older bodies like the tested X-Pro2 can occasionally miss focus compared to what is expected from newer X-Trans 5 sensor models. The review explicitly outlines the primary advantages and disadvantages of upgrading to this lens: Pros: The standout benefit is the significant reduction in weight and bulk...

The PCMag Middle East review highlights the Fujifilm Fujinon XF 16-55mm F2.8 R LM WR II as a premium standard zoom lens that effectively updates its decade-old predecessor with smaller, lighter construction and upgraded mechanics. The pros of this lens include its constant f/2.8 optics, which excel in low light and provide smooth background blur, alongside incredibly fast, responsive linear motor autofocus. Testing also praised its weather-sealed aluminum body, which features an anti-smudge fluorine coat on the front element to repel moisture, and a revised aperture ring that enables smooth, silent operation for videographers. Optically, it matches densely packed 40MP sensors well, showing excellent sharpness across wider focal lengths, while also improving close-up macro capabilities down to a 1:4.8 ratio. On the downside, the primary cons of the lens are its lack of optical image stabilization (OIS) and a highly sensitive manual focus ring that can be tricky to adjust precisely. Optically, the lens suffers from visible barrel and pincushion distortions in raw files, heavily relying on automatic digital profile corrections. It also exhibits softer detail at the 55mm telephoto...